Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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LOO, Carle van
Une Sultane Prenant le cafe que lui presente une negresse (mk32)

ID: 24703

LOO, Carle van Une Sultane Prenant le cafe que lui presente une negresse (mk32)
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LOO, Carle van Une Sultane Prenant le cafe que lui presente une negresse (mk32)


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LOO, Carle van

French painter (b. 1705, Nice, d. 1765, Paris).   Related Paintings of LOO, Carle van :. | The Grand Turk Giving a Concert to his Mistress | Aeneas Carrying Anchises sg | Une Sultane Prenant le cafe que lui presente une negresse (mk32) | Portrait of Diderot | Halt During the Hunt |
Related Artists:
Jakub Weinles
Jakub Weinles (1870 - 1935)
Francesco Cairo
(1607-1665) was an Italian painter active in Baroque Lombardy and Piedmont. He was born and died in Milan. It is not known where he obtained his early training though he is strongly influenced by the circle of il Morazzone, in works such as the Saint Teresa altarpiece in the Certosa di Pavia. In 1633, Cairo moved to Turin to work as a court painter, including portraits, to Vittorio Amedeo I of the House of Savoy. Between 1637-1638, Cairo travelled to Rome, where he encounters the works of Pietro da Cortona, Guido Reni and of the Caravaggisti. He returns to Lombardy to complete altarpieces for the Certosa of Pavia and a church at Casalpusterlengo. He painted a St. Theresa for San Carlo in Venice. Between 1646-1649, he returns to Turin, and paints an altarpiece for Savigliano and the church of San Salvario. He is also known as Il Cavaliere del Cairo, because in Turin, he received the order of SS. Lazarus and Maurice in recognition of his merit. Many of his works are eccentric depictions of religious ecstasies; the saints appear liquefied and contorted by piety. He often caps them with exuberant, oriental turbans.
Friedrich overbeck
1789-1869 German religious painter. Expelled from the Vienna Academy because of his opposition to its classicism, he went to Rome and with Peter von Cornelius, Veit, Schadow-Godenhaus, and others, formed the group known as the Nazarenes. His first real successes were his frescoes for the Casa Bartholdy (now in Berlin) and for the Villa Massimo. Among his notable paintings are Christ's Entry into Jerusalem and Christ's Agony in the Garden. Overbeck sought to make his art serve religion.






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